The Music Xray Blog
technology enhanced identification of high potential songs & talent
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Tip of the Week:Invite other artists to try Music Xray and earn money when they conduct transactions on the site

Posted by Mike McCready | February 12th, 2010 | No responses

Invite other artists to try Music Xray and earn money when they conduct transactions on the site. Here’s how:

1. Log in as an artist on the right side of the page here: http://submit.musicxray.com/login
– Note: You must use a third party account (Facebook, Google, Yahoo etc).

2. On your dashboard you will see a button enabling you to invite other artists (it will even give you the option to import your contacts)

3. Send the invitations. Your earned balance will be reflected in real time on your dashboard. We pay you through PayPal.

Music Xray is one of the fastest growing sites for musicians and word is spreading fast. Position yourself to make some extra cash just for being among the first wave of artists to discover our service.

Tip of the Week:Find out if your songs have what it takes

Posted by Mike McCready | February 2nd, 2010 | No responses

Find out if your songs have what it takes. Check out the easiest and fastest way to truly know your music’s potential and potentially get signed in the process.

Read about it here.

Fix My Mix: Lets Talk About Your Song’s Mix: Hakim Callier
Hakim Callier is a mix engineer and music producer based in New York City. He graduated from the Institute of Audio Research (NYC) and has mixed records by Kristin Hersh, Jeff Caylor and Yoko Ono’s Plastic Ono Band.

He is offering free mix consultation services until July 27, 2010. During this time he will review your submissions and discuss them with you them from the mix’s perspective. We will discuss any questions you may have on:

The Sounds (your sound selections and making them bigger)
The Trends (common trends in you musical genre)
The Story (how the mix should match the song)
The Freshness (keeping the mix fresh and interesting)
The Space (height, depth and width)
The Lead (the most important voice/instrument in the song)
The Scene (this refers to the mood, and character of the mix, vintage, modern, etc.)
The Big Picture (pulling it all together to grab the listeners attention)
Hakim says, “I am looking forward to discussing these very important elements with you about YOUR song’s MIX .”

Tip of the Week:Please vote for Songs of Love Foundation to receive $1m

Posted by Mike McCready | January 19th, 2010 | No responses

Dear all,

Please vote for Songs of Love Foundation to receive $1m

By next week many of the music industry professionals on Music Xray will be donating part or all of their submission fees to one of many worthy charities we will make available. We are reminded this week by the tragedy in Haiti of just how important it is to be generous to those in need. For years we have admired the work John Beltzer is doing at the Songs of Love Foundation and now, if Songs of Love receives the most votes, Chase Bank will make a $1m donation to this very worthy cause. All it takes is your vote. You don’t even have to make a donation.

Please follow the instructions below to vote – and then please come back to this email to see all the great new opportunities that just arrived on Music Xray.

Step by Step Instructions

1. Login to your Facebook Account (skip this if already signed into Facebook)
2. Click here: http://tinyurl.com/winonemillion.
3. If prompted, click on the “Allow” button.
5. Click on the button “Become a Fan”
6. Click on the button “Vote for Charity”
7. You’ve done it! You will see a “Thank you for voting” message. Please publish your vote to spread the awareness across Facebook.

Mike McCready
CEO
Music Xray

Tip of the Week:Get a professional song critique

Posted by Mike McCready | January 12th, 2010 | No responses

Get a professional song critique.

You probably notice that some of the opportunities (and many of the new ones we’re introducing today) are for professional song critiques. If you have any doubts as to the value of professional feedback you can read a couple blog posts here:

Why You Should Have Your Songs Professionally Critiqued

Who You Should Ask To Critique Your Songs

Most importantly, this is one of the best ways to discover what you really have on your hands. Getting just a few professional opinions of people who are accomplished in the business can give you the confidence to know your song is ready to be pitched to real opportunities or the insights to make the improvements you need. Many of these professionals can help you in more ways than one. Engaging a professional for a song critique or career coaching can be a way to start a relationship that endures and that can result in real steps forward for you and your music.

Invite Other Artists to Try Music Xray and Earn Money

Posted by Mike McCready | January 11th, 2010 | No responses

Invite other artists to try Music Xray and earn money when they conduct transactions on the site. Here’s how:

1. Log in as an artist or an industry professional on the top of the musicxray.com website.
– Note: You may use a third party account to log in but it’s not required (Facebook, Google, Yahoo etc).

2. On your dashboard page you will see a button enabling you to invite other artists (it will even give you the option to import your contacts). Sending invitations using that button sends an email and automatically includes your affiliate links. But, you can use your affiliate link to create your own landing page, send your own email invites, tweet, post to FB etc.

You will also see in the “settings” section a counter that will show you how many affiliates have signed up under you.

Invite artists and get paid

3. Send the invitations. Your earned balance will be reflected in real time on your dashboard. We pay you through PayPal. Be sure that you have your PayPal account setup.

PayPal account setup

4. If you do not want to use email to get new artists to signup you can use the affiliate id. Click on the settings button on the top toolbar:

Settings tab

Just append the affiliate id to the end of any links to Music Xray including the urls for your song presentation package.

Music Xray affiliate program id

Tip Of The Week: Use the TuneCore module to sell your songs right from your Music Xray Song Presentation Pack

Posted by Mike McCready | January 5th, 2010 | No responses

Use the TuneCore module to sell your songs right from your Music Xray Song Presentation Pack.

See an example here: http://present.musicxray.com/xrays/1659/public

Tip of The Week:Use the TuneCore module to sell your songs right from your Music Xray Song Presentation Pack

Posted by Mike McCready | December 29th, 2009 | No responses

Use the TuneCore module to sell your songs right from your Music Xray Song Presentation Pack.

See an example here: http://present.musicxray.com/xrays/1659/public

Tip of the Week: Get instant feedback on your song by conducting a song survey

Posted by Mike McCready | December 8th, 2009 | No responses

Get instant feedback on your song by conducting a song survey. Create your own questions. Send your Music Xray song presentation pack to the people you want to respond. Their answers are sent anonymously to you via email. For more information clickhere.

It’s free and included in everyfree song presentation pack.

Today’s Press Release: Audiosocket Partners With Music Xray To Increase Artist Exposure & Offer New Opportunities

Posted by Mike McCready | November 3rd, 2009 | No responses

New York / Seattle November 3, 2009

Audiosocket, a leading provider of pre-cleared independent music for licensing has partnered with Music Xray to increase the visibility of artists in its catalog as well as to enrich the data associated to each song, making it easier for Audiosocket clients to find the most appropriate music for their projects.

Audiosocket represents over 20,000 pre-cleared songs by over 1,100 artists. Music Xray provides rich song presentation packs that aggregate more data around each song than any other song hosting solution on the web. Audiosocket will export much of its catalog to Music Xray, creating a unique song presentation pack for each title. Audiosocket artists will then be able to fill in additional data fields (lyrics, bio, notes and metadata) as well as to track metrics and stats (Twitter mentions, blog mentions, P2P traders, Myspace views and comments).

Audiosocket plans to integrate the enhanced song data as well as the artist information into it’s own proprietary search engine and will at the same time expose its catalog to a wider audience due to the music being incorporated into Music Xray’s own search engine. Regardless of whether the music is found by interested licensees on Music Xray’s or Audiosocket’s search engines, commercial inquiries will be directed back to Audiosocket.

Additionally, Audiosocket artists will be able to use the resulting song presentation packs as media widgets to expand their marketing efforts across the web as well as to submit their songs to hundreds of mass exposure opportunities offered through Music Xray and to interact directly with top industry professionals who offer career coaching, mentoring and song critiques.

Jenn Miller, President of Audiosocket said, “This partnership makes our discovery process even smarter by enabling us to combine the extensive human tagging we do for each song to additional artist-added fields and the music intelligence technologies that Music Xray brings to the table.”

Mike McCready, CEO of Music Xray added, “We are excited to announce the first partnership of this kind with Audiosocket because they provide such a quality catalog which will be interesting to the hundreds of music industry professionals that use our site every day to interract directly with artists and to find songs for their projects. Music Xray is dedicated to making interactions between artists and industry professionals rewarding and that’s easy when you can start with great songs like those in the Audiosocket roster.”

About Audiosocket:

Audiosocket licenses the best independent music for placement in all types of media. Representing over 1500 artists and a 20,000 song catalog, Audiosocket constantly scouts cutting-edge artists in all genres. Audiosocket offers pre-cleared music and makes it discoverable through a fantastic interface. Some of Audiosocket’s recent placements include: Nickelodeon, McDonald’s, Warner Brothers, Universal, The Gap, ABC’s Lincoln Heights, Lost, Grey’s Anatomy, NBC’s Conan O’Brien, Lifetime, Urban Outfitters, Lucky Magazine, Solomon, Converse, Plum TV, and more. Audiosocket recently became a preferred music provider for MTV Networks (MTV, VH1, Nickelodeon, Comedy Central, etc), ABC and The Travel Channel, and are launching an iPhone app loaded with Audiosocket artists. While the Audiosocket home-base is in Seattle, there are also offices in LA, NY and New Orleans.

About Music Xray:

New York, NY based Music Xray (Platinum Blue Music Intelligence, Inc) connects artists directly with top music industry professionals and enables them to submit songs to hundreds of exposure opportunities. Songs are submitted to the industry as sleek song presentation packs that artists can also use to promote songs across the web. Additionally, the company is developing a music search engine that already helps song owners increase the searchability of their music.

The Future of the Music Industry

Posted by Mike McCready | November 3rd, 2009 | No responses

This post first appeared on the Huffington Post – March 11, 2009

“In the race to adopt new technologies, the music industry historically has finished just ahead of the Amish.” – Stan Cornyn, former Warner Music Group executive

What is happening to the music industry?

In short, the traditional music industry has been beaten, battered and completely transformed by a perfect storm of new technologies. It actually started with the introduction of the CD back in 1982. Music was digitized and encoded on the CDs which we all bought to replace and enhance our vinyl collections. Then, along came the MP3 which enabled us to compress those CD song files down to manageable sizes and file sharing began.The next nail in the coffin of the traditional music industry was the emergence of MP3 players led by the iPod and digital retail led by iTunes. Once people became used to that, who wanted to carry around a CD case? Finally, the plummeting cost and decreasing technical knowledge required to make a decent sounding recording sounded the death knell for the major music labels, the backbone of the traditional music industry.

The music labels were society’s music filters. They were responsible for finding the best talent, nurturing it, promoting it and distributing it all over the world. But the labels were also incredibly inefficient. For each act they successfully promoted and on which they turned a profit, there were dozens, even hundreds of failed acts and artists in whom the labels had invested and had lost money. Few industries would have been able to operate with such numbers but the music industry had thrived under this system; mostly due to the large amounts of cash that were made with every success. With new technologies affecting almost every aspect of the ecosystem (from song creation to mass distribution) the labels could do little to prevent the demise of their business. Seeing opportunity before them, entrepreneurs emerged with ideas about how the whole industry could be run more efficiently.

Today, music is increasingly sold as digital files that you download to your computer and then put on your mobile device such as your iPod. Other services are increasingly enabling you to stream music on demand. Under that arrangement, you never actually own any music. You simply have access to all of it all the time. Physical music retail stores are going out of business and soon won’t exist as stand-alone shops.

Anyone can record and upload a song.

On the music creation side of the value chain, the cost of recording and producing a song has fallen through the floor. What used to cost tens of thousands of dollars and had to be done in a professional recording studio can now be done in a bedroom on a laptop computer. This is a great development that enables creative talent to emerge even in the absence of musical ability or even any musical knowledge. On the other hand, it has caused a veritable avalanche of new music to pour onto the web — much of it of dubious quality. Even the largest physical music stores couldn’t carry much more than 10,000 titles. That’s nothing compared to what’s now available at the click of a mouse. MySpace alone is said to host over 10 million acts. Other sites that cater to artists have hundreds of thousands of bands signed up to their services.

It is a jungle out there! How can the fans find the needles in the haystack they want to hear? How can the artists locate their future fans? It’s the fundamental problem the labels were solving but now they can’t do it effectively. There’s too much music for them to even try to filter effectively and nobody wants to buy their CDs anyway, so how can that work even be funded? The sale of digital files isn’t even coming close to compensating for the loss of revenue on the sale of physical goods so now there’s much less money to compensate for the labels’ inherent inefficiencies. In fact, most insiders believe recorded music will cease to be paid for by the end consumer. It will instead either be free (built into the cost of marketing other products) or built into the cost of other services you pay for such as your Internet and cable TV bill or your mobile phone service. It will feel free and the actual revenue generated from the distribution of recorded music will be a fragment of what it has been historically. So, where does that leave us?

Fortunately, it’s all going to be OK. There are dozens of emerging companies that are taking on these challenges and there are some really good ideas. It’s interesting to see the variety of approaches. Most agree that the currency of exchange for recorded music will be the attention of the fans instead of their money. If an artist can get attention they will be able to sell tickets to their shows, license songs to soundtracks and get money for endorsing products. The labels held the key to getting access to big opportunities but now the artists and their managers have to find other avenues.

In spite of the reduced barriers to music creation and access to easily have your song distributed to all of the digital outlets (see services such as TuneCore or The Orchard) it still almost always requires mass exposure in order for a song to really take hold and begin to earn some money. That means that once a song is created, it still requires enormous effort, time and resources to “push” and promote that song within the industry. Songs must still come to the attention of someone who has an opportunity. The gatekeepers, such as music supervisors in Hollywood, ad agencies, program directors and video game designers remain and will continue to remain in place playing a valuable role.

So, real change will come by leveling the playing field and by giving individual artists equal access to mass-exposure opportunities. This is the challenge we’re trying to solve with our new Music Xray service. (Pardon the plug but I can’t describe the solutions to the industry’s toughest challenges without describing our own solution since it represents our best thinking and thus my opinion).

Think of Music Xray as a kind of YouTube for songs in that each Music Xray represents one song. Each Music Xray get s a unique URL (just like a YouTube video) and each Music Xray can be embedded elsewhere around the web (again, just like a YouTube video). But that’s where the comparison with YouTube ends because a Music Xray is more than just an embeddable song player. Each Music Xray comes with a stack of modules that open and close (see here) and each module contains specific information about the song, such as its lyrics, how many times it is mentioned on Twitter, in blogs, how many times it is traded on peer to peer networks, what it’s market potential is, what kind of license under which the song is available, what other songs it sounds like, among much other information.

In addition to providing all of this information to the song owner (and anyone else they want to share it with), having so much information on each song allows us to provide a free filtering engine to the entire song buying music industry.

Imagine you’re an advertising executive and you want to license a song for your next ad campaign. You want something that sounds like “Brown Sugar” by Rolling Stones, which has 130 beats per minute, has the words “Russian roulette” in the lyrics, that has at least a 50% chance of becoming successful in a particular market, that already has a growing number of fans and an available license. The filtering system at Music Xray will soon provide that level of detail and that level of filtering ability. It will be a revolution in how that part of the business operates.

The important thing for artists is to have their music in databases of this sort. The one at Music Xray is particularly attractive because it will be open to anyone in the industry who wants to leverage Music Xray’s search capabilities. For a song owner, having their song in the Music Xray database will make it discoverable by anyone and reduces the work artists must do to promote their music within the industry once they’ve recorded it. It also reduces the work that music supervisors have to do when filtering hundreds of songs for each opportunity.

How will music consumption work?

From the music fan’s perspective, music recommendation engines will become a ubiquitous part of our lives, and not just for music and entertainment products but for many consumer goods and services. You’ve seen the ads for Angie’s List which compiles and features customer reviews of household and professional services. Amazon has been recommending books and other products for years based on what others with consumption habits similar to yours have purchased. This is just the beginning of where recommendations and “relevancy filtering” is going.

The best recommendation systems will be very sophisticated. They will expose you to enough of the “familiar” for you to feel like the system “gets” you and understands your tastes. They will expose you to enough of the “new” for you to feel like you are growing and evolving in your own unique direction. They will also keep you sufficiently in tune with your peers and with those who are like you for you to feel like you belong to a larger collective. They will know the difference between you at age 25 and you at age 45 and they will know which products you buy for yourself and which you purchase as gifts for others — an important distinction for companies when making future recommendations.

There are a number of problems for the music industry to sort out but things are taking shape. One thing for certain is that the fans will not suffer. There is now and there will continue to be more music available than ever before and it will become easier to find and enjoy. It will cost less and more artists will earn a living making it.