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Why Zane Lowe Could Do More For Discovery At Apple Than Echonest’s $25.6 Million Does For Spotify

Posted by Mike McCready | February 21st, 2015 | No responses

musicindustryblog.wordpress.com

BBC Radio One DJ Zane Lowe just announced a shock move to Apple. For the non-Brits and non-Anglophiles Zane Lowe is arguably the most influential radio DJ in the UK and is renowned for being a tastemaker with an eclectic pallet. His left of centre focus and his commitment to supporting and breaking new acts has allowed Radio One the freedom to be unashamedly mainstream in much of its other output. So why does this all matter for Apple? While it is not yet clear what sort of role Lowe will assume at Cupertino it is a move bristling with significance and a clear statement of intent from Apple.

 

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Starbucks to Stop Selling CDs

Posted by Mike McCready | February 20th, 2015 | No responses

billboard.com

Starbucks, the coffee giant with over 21,000 retail stores throughout the world, will stop stocking and selling physical compact discs, Billboard has confirmed, with the CD clean-out due to start next month.

“We will stop selling physical CDs in our stores at the end of March,” a rep for the Seattle-based company tells Billboard, adding: “Starbucks continually seeks to redefine the experience in our retail stores to meet the evolving needs of our customers. Music will remain a key component of our coffeehouse and retail experience, however we will continue to evolve the format of our music offerings to ensure we’re offering relevant options for our customers.

 

The decision follows a tough environment for the format, which saw a sales decline of 15 percent in 2014. Music has been one of the few items offered at Starbucks stores that didn’t have to do with coffee, tea or food, the chain’s main revenue streams, and was often at the center of various programs and cultural initiatives.

Is Kenny G Responsible for the Starbucks Frappuccino

Starbucks’ investment in music began when the company acquired the music retailer Hear Music. With the aim of compiling collections to spur music discovery, the wholly-owned subsidiary was first staffed with Starbucks employees in 1999 and saw significant growth over the next five years.

Indeed, a Billboard article from 2006 cites annual album sales of 3.6 million units or approximately $65 million in music revenue. That same year, Starbucks announced a partnership with William Morris to help identify music to feature in their stores. To support the 20 or fewer titles the chain would stock regularly, Hear Music also hosted several performance series based around the coffeehouse singer-songwriter concept and launched a Sirius XM station to play Starbucks-friendy tunes.

Around the mid-aughts, and with much fanfare, Starbucks CEO Howard Schultz boasted of a slew of exclusive music releases in partnership with Concord Music Group, including albums by Paul McCartney, Joni Mitchell and Alanis Morissette, whose Jagged Little Pill acoustic album was initially sold only in Starbucks stores to mark the breakout record’s 10th anniversary in 2005.

Among the albums that Starbucks has given prime positioning to in recent months were: Taylor Swift’s 1989, the Frozen soundtrack and a jazz compilation called Blue Note Blends, released as recently as Feb. 10.

In one interview with Fast Company from 2004, Schultz noted of Starbucks’ jump into music: “The nature of shopping for a CD or a piece of music at a traditional record store is, at its best, a very poor consumer experience. … The Starbucks customer [who] might want to find a Diana Krall album, a Tony Bennett album, or anything that was not being played on the radio, well, they would have a hard time going into Tower Records. Maybe they’d find the album there, but they could not find someone who could talk to them about it. That consumer has disposable income and has had a long history of buying and enjoying music, but they have nowhere to go.”

Other music offerings at Starbucks included themed compilations (like their long-running holiday album series) and single-song downloads, the latter of which are offered via promotional cards that are expected to continue. Digital music will have a presence in the stores of Starbucks’ future, but in what form, sources don’t yet know.

Read more at billboard.com

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UMG Head Lucian Grainge: Music Business Is on the Mend

Posted by Mike McCready | February 19th, 2015 | 1 Response

billboard.com

Universal Music Group chairman Lucian Grainge projected positivity during his appearance at the Code Media conference in Dana Point, Calif., on Wednesday (Feb. 18).

The music industry’s most powerful executive, per the Billboard Power 100, says the business is transitioning to “a return to growth” and “a return to health,” pointing to successful breakout acts like Sam Smith and monetization through a variety of digital income offers. The scars of piracy, he added, are in the past thanks to a focus on “recapturing the value of our investment.”

Grainge spoke on the second and final day of the confab, which is run by website Recode and gathers a ballroom full of big brains from the tech industry. His appearance followed an announcement made earlier on Wednesday that UMG had signed a partnership agreement with new web video platform Vessel through which the company will exclusively premiere new music videos.

The Vessel license, Grainge said, falls in line with the entrepreneurial spirit of the company and its insistence on premium, rather than ad-funded, services. “I think it’s great,” says Grainge of the rationale in teaming up with Vessel. “We create competition within the market [and it’s] another example of experimenting with our artists for our artists to capitalize on our investment.”

Expectations were tempered, however. “We’ll see how they’ll do,” added Grainge. “But if we’re going to transition to premium subscription, it’s a great part of that journey.”

The UMG chief pleaded ignorance when it came to plans by Apple to align itself with labels (he shot down a report that the company was interested in buying a label) as well as what Jimmy Iovine has in store. Asked about Jay Z’s investment in Scandinavian streaming companu Aspiro, Grainge offered that it was “purely about distribution.” (Shockingly, Grainge pointed out, the CD still dominates in the second and third biggest markets, Japan and Germany.)

In general, he seemed less than enthused about the idea of tech companies coming into the music industry and potentially owning a label or musical archives.

Putting the traditional, transactional model behind us is key to the future, added Grainge. “We want to accelerate paid subciptions and raise income and compensation for everyone. … Ad-funded on demand will not sustain us or the entire ecosystem.”

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Super Bowl Commercials Pay Off on Emerging Artists Chart

Posted by Mike McCready | February 18th, 2015 | No responses

billboard.com

As expected, the Feb. 1 Super Bowl sparked major gains for Katy Perry and Missy Elliott, who turned exposure from the halftime show into song purchases. But they (and the New England Patriots) weren’t the night’s only big winners. Three acts — Sleeping at Last, Marc Scibilia and Hundred Waters — break onto the Billboard + Twitter Emerging Artists chart and shine in the national spotlight thanks to memorable tunes in some of that evening’s biggest commercials.

Sleeping at Last, “I’m Gonna Be (500 Miles)”

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Advice from Artists on How to Overcome Creative Block, Handle Criticism, and Nurture Your Sense of Self-Worth

Posted by Mike McCready | February 18th, 2015 | No responses

brainpickings.org

Mastering the balance of restriction and imaginative play, or why unbridling your self-worth from your professional success is essential for happiness.

“Inspiration is for amateurs — the rest of us just show up and get to work,” Chuck Close scoffed. “A self-respecting artist must not fold his hands on the pretext that he is not in the mood,” Tchaikovsky admonished. “Show up, show up, show up, and after a while the muse shows up, too,” Isabel Allende urged. But true as this general sentiment may be, it isn’t always an easy or a livable truth — most creative people do get stuck every once in a while, or at the very least hit the OK plateau.

Read more at brainpickings.org

J.U.S.T.I.C.E League Seeks Topline Writers & Producers and Tweets Links To Their Music Xray Profile

Posted by Mike McCready | February 17th, 2015 | No responses

This is the direct link to the JUSTICE LEAGUE profile on Music Xray: http://www.musicxray.com/profiles/8239

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Pandora vs. BMG’s Court Battle Reveals Long-Term Strategies, Licensing Aims

Posted by Mike McCready | February 17th, 2015 | No responses

billboard.com

 

A tale, told in the Manhattan court where BMI and Pandora are arguing their cases, illustrates perfectly the angles and lengths that these organizations are willing to go to prove a point. It also shows why the hot issue of whether publishers can withdraw their digital rights from the performance rights organizations’ (PROs) blanket licenses may be a good thing for the largest of music publishers, but not for smaller publishers.

It went something like this. When BMG Chrysalis withdrew from BMI on Jan.

Read more at billboard.com –

Billboard 200 Chart Moves: Jimmy Fallon Aids 664% Sales Gain for Neil Young’s ‘Old Man’

Posted by Mike McCready | February 16th, 2015 | No responses

billboard.com

On the newest Billboard 200 albums chart, Taylor Swift ruled the list for an 11th nonconsecutive week with 1989 — tying Fearless for Swift’s longest run atop the chart. The Billboard 200 chart ranks the week’s most popular albums based on their overall consumption. That overall unit figure combines pure album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA).

Let’s take a closer look at some of the action on the chart:

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Chris Martin Talks New 15-Year Gig as Curator of Global Citizen Festival

Posted by Mike McCready | February 15th, 2015 | No responses

billboard.com

As his band Coldplay prepares to release its presumed final studio album, A Head Full of Dreams, later this year, Chris Martin has already lined up his next gig: curator of the Global Citizen Festival, for the next 15 years.

Why so long? Because 2015 marks the establishment of the United Nations Sustainable Development Goals (SDGs), a “to-do list” of 17 tasks to end extreme global poverty by the year 2030.

Read more at billboard.com –

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BBC Radio 1 Host Zane Lowe Leaving To Join Apple

Posted by Mike McCready | February 15th, 2015 | No responses

billboard.com

BBC Radio 1 host and DJ Zane Lowe is leaving in March to cross the pond and join Apple in the U.S.

Lowe joined BBC Radio 1 in 2003 and it’s been confirmed his last day will be on March 5. Annie Mac will take over his spot at the station soon after.

“I want to thank everyone at Radio 1 for their support and friendship,” he said in a statement. “The station has allowed me to share incredible music with the country’s best music fans.”

Read more at billboard.com